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Photos Daniel Aimé

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Partners and co-producers 

Chilean French Coproduction: Teatro del Silencio, Ville d'Aurillac-Le Théâtre, Le Moulin Fondu-Centre National des Arts de la Rue-Noisyle-Sec, La Ballade au Pays de Pierrefort, Teatro Nacional Chileno-Santiago de Chile, Centro Cultural Matucana 100-Santiago de Chile

Subsidies: Ministère de la Culture et Communication-DRAC Auvergne et DMDTS, Ville d’Aurillac-Le Théâtre, Conseil Régional d’Auvergne, l’ADAMI, Ministerio de Relaciones Exteriores de Chile–DIRAC. The ADAMI manages the rights of the artists - interpreters (actors, singers, musicians, orchestra directors, dancers…) and dedicates a part of the perceived rights to help the creation, the distribution and the training.

Residences: Ville d'Aurillac-Le Théâtre, Le Moulin Fondu-Centre National des Arts de la Rue-Noisy-le-Sec, L'Entre Sort de Furies-Châlons-en-Champagne, Le Parapluie-Centre international de création artistique-Aurillac, La Ballade au Pays de Pierrefort, Teatro Nacional Chileno-Santiago de Chile, Centro Cultural Matucana 100-Santiago de Chile.

Compulsory mention:
Teatro del Silencio is subsidized by: the Ministry of Culture and Communication-DRAC Auvergne and the City of Aurillac.

Of the Hell in the Paradise

After O Divina Commedia - Inferno - Who questioned and tried to understand the religious drama which tears the soul of the poet and beyond, the drama of the religious wars which knocks and bruises the current man - Teatro del Silencio created O Divina Commedia - a Mother and her children in the Purgatory. This second shutter of the trilogy spoke to us about big cataclysms of our period and about their ideologies, about wars of every day - the war, this construction materialist who rots the human existence.

Paraíso

In front of a dirty world of injustice and violence, how to speak still about the paradise? It would be as to look for the light in a dark forest, as to return at the beginning of things, in the infinity of the human soul.  Teatro del Silencio with this creation chose not to avoid this reality but to confront with it in his extreme complexity and his contradictions.


After "Inferno" and " A Mother and her children in the Purgatory ", " PARA Í SO, freely inspired by Dante and the other authors contemporary as Violeta Parra, Sarah Kane, Virginia Woolf, takes us in a journey towards the place of the origin and that of the return, concentrating our researches on the social man : in front of suicide, of the religion, of the memory, of its feelings, and inevitably in front of the death. 

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